Hi — I’m back! I didn’t deliberately set out to take a month-long blogging break, but that’s pretty much what happened. Don’t know why, but I guess I must have needed it.
I can’t say I’ve got any deep thoughts or dramatic breakthroughs to report upon my return. But since my Word for 2013 is Explore, I thought I’d jump in with Kat Sloma’s Exploring With a Camera. Each month, Kat offers up a lesson on an aspect of photography, with clear explanations, how-to’s, and plenty of examples. This month’s exploration was “artistic blur.”
I spend a great deal of effort in trying to get my photos to be as sharp as possible. The concept of trying to blur a photo by moving the camera around during exposure, for example, or by deliberately not focusing before capturing an image is difficult for me to grasp. I tried some experiments for this lesson but, sad to say, they were not successful. However, in looking through my archives I found that I do use other types of blur to create the effect I want in a photo.
In this photo, I used a shallow depth of field to hint at the setting of this desert willow, but the blossom is clearly the subject.
In this case, even though it’s the grass that’s in focus, it leads my eye to the cottage in the background. For me, the cottage in the soft, warm evening light, with its sense of peace and quiet solitude, is the real subject of the photo.
I took this photograph because of the blur caused by a brief but intense summer rain pouring down the window.
While this image was taken on another rainy day, the blurred distortion of the clapboards is caused not by rain but by the wavy antique glass of the window that I was shooting through.
These are ripples of a different sort. The water in this cove seemed very calm, but the blurred reflection tells another story. This is one of my favorite reflection photos.
In this image of the Los Angeles skyline taken from the Angeles Crest Highway, the mountains and distant city are blurred by mist and rain.
This blurred water is caused by using a slow shutter speed, a common technique used by landscape photographers to give moving water that milky effect. To be honest, it’s not something I do often, but I was experimenting with it one day and this was the result. To me, milky water looks very unnatural; I prefer to freeze the motion, leaving the water clear. But I did enjoy trying and comparing the effects of different shutter speeds on this occasion, and I’ll experiment more with it in the future.
This effect was achieved by shooting through a flowering shrub. Focusing on the bird beyond caused the foliage to blur into a translucent wash of color. I’d like to say I did this on purpose, but I was quite surprised by the result when I downloaded the images.
The blur here is caused simply by hand-holding the camera. The interior of this church was very dark so the shutter speed was slow. It’s sharper than I expected to get, but I like the softness of the glowing candles.
My apartment in Maine backed up to the edge of a river, and I had wonderful views from my windows. I took a lot of photos through those windows, with more or less success. These are two of my favorites. I was shooting through a double paned window and a screen, which gave these images a soft-focus effect that I like.
Car window + Raindrops + Reflected Sky + Wide Open Lens. Once I’d have just thrown this away, but I like it. So with this little abstract, I’ll close my exploration for now and go link up with Exploring With a Camera: Artistic Blur. I think I’ll make it just under the wire.